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Written by Geoff Johns; Art by Ivan Reis, Ethan Van Sciver and Oclair Albert; Variant cover by Gary Frank
Minor Spoilers. Major Spoilers are blocked off.
Come to think of it, the plot-bloated but emotionally resonant Infinite Crisis feels like a prequel to Geoff Johns’ dark oeuvre The Sinestro Corps War, which is as much a story of Sinestro recruits Superboy Prime and Cyborg Superman as it is the fall and rise of the Green Lantern Corps. What started out as the best major event opener in DC’s convulsing superhero history has finally wrapped up in Green Lantern #25 and, well, it kept me coming up for air most of the time. A solid 30-minute read it will take you about the same time (or longer) to admire the details of the art. Reis’ pencils are breathtakingly cinematic. Pace perfect. A bloody valentine to space operas.
he expertly tells. Watching him weave a universe-full of story threads into a clear action-driven, morally-centered epic is simply a wonder. It could have been messy (Countdown) or choppy (Infinite Crisis), but this one is just one smooth ride to a GL mythos-shattering finale.
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