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La lang.
There will be spoilers
The X-men and mutant kind have faced near extinction before through genocide by humans, a virus, or people from space or the future wanting to kill-off everyone with a mutant gene. Usually everyone got cured, the killer/s neutralized. After M-day, 91% of mutants lost their mutant gene, there’s no “enemy” to fight or a virus to find a cure for, and no problem that science or magic can solve. For two years, mutants know that they slowly dying off and in that time different X-titles have been setting up characters and events for the Messiah Complex. Through bad and good writing I have stuck with the titles. My investment is big. Thus, my expectations for this event is high and so far it has consistently delivered fantastic story-telling.
Madrox and Layla are sent 80 years to the future where mutants are kept in concentration camps (where we learn that Lalyla's mutant gene "comes and goes"). Rictor goes under cover among the Purifiers because he would not register as a mutant anymore. The New X-men led by Surge went to attack the Purifiers as payback for murdering their friends. They almost did not make it out alive. Wolverine, Storm, Nightcrawler, Angel, and Emma Frost (at least in spirit, her body’s back at the Xavier’s) fought the Marauders where Kurt got mortally wounded and Logan found out from Gambit that the baby was with Cable. Predator X (the monster made by the people who created X-23 and is reinforced by Mercury’s well…mercury) is tracking the yummiest monster treat around which is of course the baby.
Scott and Xavier are still butting heads with Xavier asserting that he should lead and that Scott has been making wrong decisions. Scott has assembled X-Force: Wolverine, X-23, Caliban, Warpath, Hepzibah, and Rahne to track Cable and the baby with order to kill Cable if necessary to ensure that the baby is in their hands.The Reavers led by Death Strike is also after Cable.
Xavier’s was leveled to the ground by the O*N*E* Sentinels who were taken over by sentient metallic goo. Sentinels wanting to kill mutants is old but they pulled it off because for a long time O*N*E* Sentinels were written to useless in protecting the kids in the Institute – they were harmless, manned by stupid soldiers – it caught me off guard.
In my opinion, Batman War Games was one the most well executed cross-overs ever since the tone of the story-telling and the art was consistent throughout different titles, writers, and artists. Messiah Complex is at par and more. Brubaker, Yost, Kyle, David, and Carey are all in their top form as they write great fight scenes but they do not forget to delve into the characters’ self doubts, fear, and anger and how these affect their decisions and actions. The artists have all been great. So far, I cannot predict how they will resolve the story – or maybe that is me refusing to think ahead. I don’t want anything to spoil the ride.
Minor Spoilers. Major Spoilers are blocked off.
Come to think of it, the plot-bloated but emotionally resonant Infinite Crisis feels like a prequel to Geoff Johns’ dark oeuvre The Sinestro Corps War, which is as much a story of Sinestro recruits Superboy Prime and Cyborg Superman as it is the fall and rise of the Green Lantern Corps. What started out as the best major event opener in DC’s convulsing superhero history has finally wrapped up in Green Lantern #25 and, well, it kept me coming up for air most of the time. A solid 30-minute read it will take you about the same time (or longer) to admire the details of the art. Reis’ pencils are breathtakingly cinematic. Pace perfect. A bloody valentine to space operas.
he expertly tells. Watching him weave a universe-full of story threads into a clear action-driven, morally-centered epic is simply a wonder. It could have been messy (Countdown) or choppy (Infinite Crisis), but this one is just one smooth ride to a GL mythos-shattering finale.
Crime Bible: Five Lessons in Blood #2 Written by Greg Rucka; Art by Jose Saiz
Greg loves Renee. Really! Her characterization throughout the years have changed, improved, and in some ways became more flawed. Renee is tracking down the crime-bible-cult from 52 and has gone undercover as a customer in a brothel run by the cult. Mr. Rucka slowly built up to the dilemma of people who have gone deep undercover—will she be completely part of that world (sex, drugs, alcohol, murder and the like) or not? From all the movies I have seen on police going undercover (Donnie Brasco, Infernal Affairs) you cannot help but be dirty or else blow your cover. This is a big issue in the DCU as seen in JLA Elite—it is necessary to go deep but impossible to stay immaculately clean. Renee working alone is in a worse situation—she has no support or back-up and she is deeply lonely. The woman offering a respite to this is a temptation too big to resist.
Gotham Underground #2 Written by Frank Tieri; Art by J. Calafiore and Jack Purcell; Cover by J. Calafiore
All Star Batman and Robin the Boy Wonder #8
Written by Frank Miller; Art and Cover by Jim Lee and Scott Williams