Cable Is Wireless

This time tomorrow, The Wire stops being the Best Show on TV.

Series finale is airing in a bit.




And revisiting the last four seasons these past few weeks has made me even more of a fan, if that's possible.

Best Show on TV, indeed.

And better than what? You name it - - - X Files. Lost. Galactica. Dr.Who. Miami Vice. The Prisoner. Six Feet Under. The Shield. Deadwood. The Sopranos. Star Trek. Walker Texas Ranger. Jojo A All The Way. And some days, sex.

Two words: Omar rocks.

Push and Pull

PULLED

ECHO #1, Terry Moore Strangers in Paradise is one of the absolutes of comic book history and quite possibly the best of everything that’s ever been written about love. Sonnets included. Most people just don’t know it yet. And it is mind-boggling how it all came down to one creator—the lyric, the art, the painful and joyful dissection of longing: Terry Moore. So, Echo #1. It’s different and it is good. It reads like a superhero book, a down and out almost divorcee accidentally gets rained on by putty pellets, a result of a government weapon experiment gone menacing. Details are planted and I’m beginning to like Julie already. Definitely on board.****

JUSTICE LEAGUE THE NEW FRONTIER CLASSIFIED #1, Darwyn Cooke Trinity origin! Titans together! And Wonder Woman’s breasts on fire! It’s predictably good all around. What’s surprising though is the Black Canary and Wonder Woman team-up that delivers the funny. It’s not a necessary read but when did we care about necessary, right?****

TEEN TITANS YEAR ONE #3, Amy Wolfram, Karl Kerschl, Serge Lapointe, and Steph Peru Got on board this title mainly for the art—rest in peace, Mr. Peru—and as always, it’s worth the cover price. But it’s turning out to be as fun as the cartoon with subtle characterizations that work. Batman and Robin’s relationship was succinctly defined in one panel, and that’s quite an achievement. ****

PUSHED (Spoilers!)

BUFFY THE VAMPIRE SLAYER SEASON EIGHT #12, Drew Goddard and Georges Jeanty What the fuck? Drew Goddard, with Jane Esponson, wrote Conversations with Dead People, one the best Buffy episodes in its 7-year run. It’s purely a character piece with a few genuinely frightening moments so I was looking forward to his arc on this title. While the writing is funny, with a few well-planted surprises, the biggest surprise was totally, glaringly, out of character. Okay. I’m calm. When you get Buffy to sleep with another woman, that’s just. Grr. Not calm. See if it were Captain Janeway, I wouldn’t be surprised because somehow, flirting has been implied with Seven of Nine. But with Buffy, zero. Maybe it’s a dream sequence, just like Xander said. Will get back on this when the arc finishes, but for now, it’s disgruntled much. **

Game On!

Spoilerish. You have been warned.

I'm not sure which excites me more - - - Olmos saying "Only question is, what year is it?" or Kara Thrace saying "We're going the wrong way."




I'm sticking with "In Season 4, everybody dies."

Bring it the fuck on.

It's a set up

MIGHTY AVENGERS #9 BM Bendis, Mark Bagley. Bendis got lazy. He thought he could fool me into liking his Mighty Avengers if he put three spreads of the Avengers fighting Doombots. Well, he almost did, I get hypnotized by spreads and pretty colors. But after reading the last page, I realized that the dialogue balloons were completely useless (since nothing significant was said) and that you could understand the story easily (since nothing much happened). To make sure that I buy the next issue, Bendis threw in a cliffhanger. I wonder how the battle in Latvia is connected to Secret Invasion?

NIGHTWING #141 Peter Tomasi, Rags Morales and Michael Bair. Bruce Wayne is filthy rich! Nightwing is setting up in New York and in order for him to be able to get around the city fast he needed strategic bases. He sent the addresses to Bruce and he bought all the buildings for Dick in a snap. Nothing much happened in this issue in furthering the story of the mystery of the body thieves but Tomasi wrote little special moments that satisfied my geeky heart. The JSA and JLA all pitched in to build his new HQ. Imagine having John Stewart as you architect! I was wondering when a Titan would come over and help him then Wally shows up. They shared a beer and talked—Tomasi and Morales succeeded in making the moment special.

BIRDS OF PREY #115 Sean McKeever, Nicola Scott, and Doug Hazlewood. PERFECT! Like Avengers and Nightwing, the BoP issue is setting up the stage for the big story in the arc. Avengers overdosed on fights and Nightwing was character driven but I missed the brawls. McKeever told a “set-up” story where characters evolved, the story moved forward, and there were fights! The Huntress and Lady Blackhawk went to go after Shark and they found his hide-out on a deserted island. In a few pages, Lady Blackhawk’s history with the villain was told and that Helena’s loyalty and respect for her has grown. They also fought giant eels and a damn big fish with big teeth. Oracle is still obsessed with trying to find out where their last operation in Metropolis went wrong. She enlisted Black Alice and Misfit threw a tantrum over what she believed was favoritism. Charlie was angry that Barbara considered another kid like her a Bird of Prey while she wasn’t considered to be an official agent. Just as Barbara and Lory were at the verge of a breakthrough on the case they were working on, Charlie teleported in to fight Lory. Meanwhile, Helena found Zinda drugged and transformed into an evil bitch. PERFECT!

BATMAN AND THE OUTSIDERS #4 Chuck Dixon and Julian Lopez. Batgirl is back and Green Arrow hates her guts! (Come to think of it she’s the X-23 of DC – raised as an assassin and all but I think X-23 have more social support than Batgirl.) Anyway, after being betrayed by his kung fu master and how he and his family were hunted down by the league of assassins (the Black Canary and Sin arc) Green Arrow’s hate and distrust of Batgirl is completely understandable. The thing is Batman didn’t tell Ollie that Cassandra would be part of the team. It was typically manipulative of Batman. I have a problem with Ollie becoming a match to Cassandra in a fight. Cassandra was trained to read body language instead of verbal language—thus she could anticipate moves. Pretty much like Midnighter but without the enhancements—just human abilities but so honed and perfect that Batman once wondered if she was a meta. Unless, she was letting Ollie win so that he will feel better. Thunder is still hanging around Grace and the supposedly top secret Outsiders hideout. I don’t understand why Batman allows this. Maybe he has a plan for her, I don’t know why he didn’t put her on the team but he lets her hang out at their HQ. The reformatted OMAC is interesting—it can imitate anyone, George Clooney or Brad Pitt. I wouldn’t mind having one of those.

The Tao of Steve

To echo an obit worth echoing.

Steve Gerber made me uncomfortable.

I couldn't last more than a few pages inside his comics before I came cowering back to safety like a whipped junkyard dog to my comfy, banal superheroes. This was,of course, in my callow and foolish days as a kid geek when superheroes were the end-all and be-all of comics.

But Gail was right. Gerber was his time's cutting edge. Not so much bookish like Gaiman but druggish and fuckedupish like Morrison.

I'm much older now, a little wiser and superheroes do suck eggs most of the time and they get suckier each year. I do go back and reread my old Gerber comics - - - not much else good to read anyway. Howard the Duck. Some Man Thing. Some Omega the Unknown. And he still makes me uncomofrtable. But this time, uncomfortable is a good place.

RIP, Mr.Gerber.

Valentines in the 31st Century

This will definitely get the girls. Heh. More from here. :-)

Steve Gerber, 1947-2008

One of the best thing to ever come out of Countdown was Countdown to Mystery: Doctor Fate. I've been enjoying it immensely, loving the flow of the prose it's a crime not to read it out loud. I will miss reading Mr. Gerber's stories.

Good night, sir.

Here's what Gail Simone had to say in the Newsarama board:

Dammit. Just dammit.

Some of you know of my adoration for this man. He's one of the few creators that I idolize so highly that I got stage fright actually talking to him.

Steve was Alan Moore and Grant Morrison before those guys were themselves. He always had a spin, an askew way of looking at everything, that made every story feel new and fresh and unique. Like we were party to something special. When he wrote a character, he showed you their secret side.

He made you feel like you were getting away with something taboo when you read one of his stories, no matter what the subject was. With Steve, the guy on the title wasn't the star, the WRITER was the star, just by virtue of his overwhelming talent and viewpoint. In a time when 'weird' was frowned upon, Steve owned the word in comics, in the best possible way.

A couple years ago, out of the blue, and I have no idea how he got my email address, he wrote and said this to me:

"Gail, I'm currently reading your BIRDS OF PREY stuff from the beginning.

I hope to hell you have some idea how good you are.

Steve Gerber"

I am telling you, it's hard to imagine a kind word before or since that knocked me out of the chair like that. I was sure it had to be a hoax. That this guy, this hero of mine, would write something like that to a total stranger, it boggles my mind still.

I had to write back something like, "Uh, you do know that you are STEVE ****ING GERBER, right?"

We corresponded often in the next couple years, Steve always gracious, always generous, always funny, and always very humble about his place in comics (despite my constant protestations to the contrary). We talked about craft, we talked about the industry. He sometimes spoke about his health, but I never heard him complain. It was just the life he had, and he always hoped for the best. But it was clear that his health was pulling him under.

Last year, I got the chance to live a dream and work with him a little bit, writing a tie-in Black Alice comic to his Helmet Of Fate series. I have to say, I don't think I've ever felt the pressure to do a good job as much as I did on that book. For the readers and for myself, but also because letting Steve down was simply inconceivable. I'd rather hide in the closet forever.

I will carry his kind words with me the rest of my life.

Just a couple weeks ago, when I heard he'd gone back to the hospital, I offered to ghost write an issue of Dr. Fate so he could get some rest. He said he'd take me up on it, at least at the brainstorming stage. And he sounded very optimistic. He was concerned about something that might take him off the donor recipient list. I told him I had my fingers and toes crossed for him.

We never got to that brainstorming session. In a way, I'm sad, but in another way...who could really ever ghostwrite for Steve, even with the best of intentions? I never read a Steve Gerber story that didn't move me in some unique way. He combined brains and heart and a deadshot eye for the absurd in a way that is often imitated, but rarely achieved.

If you're going to have a legacy as a writer in comics, I think that's a pretty damn good one to leave behind.

Love you, Steve. Thank you for everything.

Gail

Le Freak

Ellis does Ballardian gangporn gone batshit. I think. I fucking hope.

For free of charge. Warren,you are a great person.

Cooler Than Borbah

Something tells me my first favorite comic of 2008 has just arrived.





And it's got toys. Yowza.

Batslap